HAPPINESS, WELL-BEING, AND SURVIVAL: A SOCIO-PHILOSOPHICAL REFLECTION ON THE UKRAINIAN EXPERIENCE OF WAR AND PEACE IN LIGHT OF ULAS SAMCHUK’S CREATIVE HERITAGE


DOI: https://doi.org/10.17721/2415-881x.2026.100.2.62-80

Nataliia Yarmolitska, Svitlana Tovmash

Abstract


This study provides a socio-philosophical interpretation of the concepts of happiness and well-being within the Ukrainian cultural experience of war and peace, offering a comparative analysis of pre-war and wartime definitions of these notions. The theoretical foundation of the research is the literary legacy of the Ukrainian writer Ulas Samchuk, whose work reflects the existential experience of Ukrainians navigating radical historical transformations. The methodology employs a synthesis of hermeneutic, axiological, socio-philosophical, and historical-literary approaches, facilitating an exploration of the interconnectedness between individual and collective Ukrainian experiences. Additionally, textual and comparative analysis methods were utilized to examine primary cultural models of prosperity and elements of existential philosophy, identifying the "limit situations" of human existence that emerge during war and post-war periods. The study posits that Samchuk’s creative heritage constitutes a vital contribution to the Ukrainian cultural landscape; in his works, well-being transcends material categories to become a socially conditioned state, happiness is portrayed as an existential category, and survival forms the bedrock of human existence amidst historical catastrophes. It is demonstrated that the concepts of happiness and well-being undergo profound transformations during wartime: happiness becomes intrinsically linked to survival, security, the preservation of identity, and solidarity, while the primary focus shifts from individual prosperity to collective welfare and from stability to the struggle for existence. The findings indicate that the traumatic Ukrainian experience of war has altered the perception of the existential dimension of well-being, with happiness assuming new forms manifested through resilience, dignity, and the capacity for recovery. Ultimately, the paper emphasizes that Samchuk’s legacy serves as a crucial source for conceptualizing the contemporary Ukrainian experience of war, allowing for a re-evaluation of value transformations within a cultural tradition where well-being is inextricably tied to labor, morality, and collective being.

Keywords


Ulas Samchuk; happiness; well-being; survival; traumatic experience of Ukrainian culture; national memory; historical memory; existential values; Ukrainian experience of war and peace

References


Bondarenko, Yu. (2011). Ulas Samchuk’s chronicle novel Maria: Ukraine between cosmos and history. Slovo i Chas, 6, 25–33. http://dspace.nbuv.gov.ua/handle/123456789/144187

Rusnak, I. (2007). From the “cohort of stern knights of traditionalism”: Articles on the works of Ulas Samchuk. Vinnytsia: Planer Publishing House. 127 p.

Rusnak, I. (2005). “I was filled with Ukraine…” Artistic historiosophy of Ulas Samchuk: Monograph. Vinnytsia: DPKF. 406 p.

Rusnak, I. (2009). Artistic historiosophy of Ulas Samchuk: Monograph. Vinnytsia: DCF Publishing House. 368 p.

Boroditsa, S. (2025). Samchuk studies at Volodymyr Hnatiuk Ternopil National Pedagogical University: Achievements and prospects. Studia Methodologica. Philological Studies, 20, 8–18. https://doi.org/10.32782/2307-1222.2025-60-1

Savchenko, O. (2022). The theme of war in the creative heritage of émigré writer Ulas Samchuk. Challenges of tolerance under conditions of Russian military aggression: Proceedings of the All-Ukrainian scientific discussion platform dedicated to the International Day for Tolerance. Kropyvnytskyi, 57–59. https://dspace.univd.edu.ua/items/17e40e0c-6ed6-4d5b-9d2c-9242e57a63c1?utm_source=chatgpt.com

Demchuk, O. (2025). The space of war in Ulas Samchuk’s novel What Fire Cannot Heal. Scientific Notes of the National University of Ostroh Academy. Series “Philology”, 26(94), 127–129. http://doi.org/10.25264/2519-2558-2025-26(94)-127-129

Kyzylova, V. (2020). Ulas Samchuk’s Ukraine: A synthesis of political and artistic worldviews. Collection of Scientific Works (Philological Sciences), 15, 54–59. https://doi.org/10.28925/2412-2475.2020.15.8

Vyshnevska, H. (2025). Between the past and the future: Ulas Samchuk’s journalism as a form of moral guidance. Studia Methodologica. Philological Studies, 60, 19–25. https://doi.org/10.32782/2307-1222.2025-60-2

Podvyshennyi, O. (2021). The influence of Western culture on the formation of Carpathian Ukraine in Ulas Samchuk’s novel The Sun from the West. Literary Process: Methodology, Names, Tendencies, 17, 55–64. https://doi.org/10.28925/2412-2475.2021.17.7

Tkachuk, O. (2025). The motif of the hero’s journey as a structure-forming principle in Ulas Samchuk’s memoir-autobiographical prose (On a White Horse and On a Black Horse). Studia Methodologica. Philological Studies, 60, 145–157. https://doi.org/10.32782/2307-1222.2025-60-13

Prykhodko, V., & Rudenko, S. (2018). Body and space relationship in the research field of phenomenological anthropology: Blumenberg’s criticism of Edmund Husserl’s “anthropology phobia”. Anthropological Measurements of Philosophical Research, 13, 30–40. https://doi.org/10.15802/ampr.v0i13.125512

Rudenko, S., & Tasenko, M. (2024). Improving the diagnosis of post-traumatic stress disorder and anxiety-depressive disorders using the methods of phenomenological philosophy: Experience of interdisciplinary practices in Ukraine. Studia Warmińskie, 61, 127–138. https://doi.org/10.31648/sw.10789

Rudenko, S., Tasenko, M., & Levcheniuk, Y. (2025). Cosmos-containing mental disorders: Phenomenological advancing for psychopathology and philosophy of psychiatry. Philosophy and Cosmology, 34, 67–84. https://doi.org/10.29202/phil-cosm/34/4

Danyliuk, I., & Bohucharova, O. (2023). The Russia-Ukraine war in Western media: A psycholinguistic modelling of the “hybrid” phase. East European Journal of Psycholinguistics, 10(2), 9–20. https://doi.org/10.29038/eejpl.2023.10.2.dan

Traverse, T. (2023). Transformation of the self-concept of personality: Cognitive aspect. Bulletin of the National University of Defence of Ukraine, 75(5), 151–156. https://doi.org/10.33099/2617-6858-2023-75-5-151-156

Samchuk, U. (1947). The youth of Vasyl Sheremeta. Novel. Part 1. Munich: Prometheus. 156 p. https://diasporiana.org.ua/wp-content/uploads/books/5985/file.pdf

Samchuk, U. (1933/1997). Maria. Ukrainian historical novel. Kyiv: Znannia. 176 p. https://www.ukrlib.com.ua/books/printit.php?tid=226

Camus, A. (2022). The myth of Sisyphus. The rebel. (O. Zhupanskyi, Trans.). Kharkiv: Folio. 448 p.

Samchuk, U. (1932). Volyn: A novel in three parts. Part 1: Where does that river flow. Third edition. Toronto: Kyiv Printing House. 324 p. https://diasporiana.org.ua/wp-content/uploads/books/1678/file.pdf

Samchuk, U. (1948). OST. A novel in 3 volumes. Vol. 1. Moroz’s farmstead. In 3 parts. Regensburg: Published by Mykhailo Boretskyi. 584 p. https://diasporiana.org.ua/wp-content/uploads/books/1056/file.pdf

Frankl, V. (2023). The doctor and the soul. Foundations of logotherapy. (Liubomyr Sherstiuk, Trans.). Kharkiv: KDS Publishing House. 320 p.

Ricoeur, P. (1984). Time and narrative (Vol. 1). (K. McLaughlin & D. Pellauer, Trans.). Chicago: University of Chicago Press. https://www.eleqta.org/documentation/en/Paul_Ricoeur_Time_and_Narrative.pdf

Jaspers, K. (1970). Philosophy of existence. (R. F. Grabay, Trans. & Intro.). Philadelphia: University of Pennsylvania Press. 99 p.


Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

The editorial board does not always share the position of the authors. The authors are responsible for the accuracy of the material presented.
All rights reserved.
© Taras Shevchenko National University of Kyiv, 2026